Page 85 of American Psycho

And they say this even though my suit looks black in the darkness of the club and my tie - paisley, Armani, silk - is loosened.

"Hey." I say, grinding my teeth. "You may think I'm a really disgusting yuppie but I'm not, really," I tell them, swallowing rapidly, wired out of my head.

Two black guys are sitting with them at the table. Both sport faded jeans, T-shirts, and leather jackets. One has reflector sunglasses on, the other has a shaved head. Both are glaring at me. I stick out my hand at a crooked angle, trying to mimic a rapper. "Hey," I say. "I'm fresh. The freshest, y'know... like, uh, def... the deffest." I take a sip of champagne. "You know... def."

To prove this I spot a black guy with dreadlocks and I walk up to him and exclaim "Rasta Man!" and hold out my hand, anticipating a high-five. But the nigger just stands there.

"I mean" - I cough - "Mon," and then, with less enthusiasm, "We be, uh, jamming.."

He brushes past me, shaking his head. I look back at the girls. They shake their heads - a warning to me not to come back over. I turn my gaze to a hardbody who's dancing by herself next to a column, then I finish my champagne and walk up to her, asking for a phone number. She smiles. Exit.

Chapter Twelve


Midnight. I'm sitting in a booth at Nell's with Craig McDermott and Alex Taylor - who has just passed out - and three models from Elite: Libby, Daisy and Caron. It's nearing summer, mid-May, but the club is air-conditioned and cool, the music from the light jazz band drifts through the half-empty room, ceiling fans are whirring, a crowd twenty deep waits outside in the rain, a surging mass. Libby is blond and wearing black grosgrain high-heeled evening shoes with exaggeratedly pointed toes and red satin bows by Yves Saint Laurent. Daisy is blonder and wearing black satin tapered-toe pumps set off by splattered-silver sheer black stockings by Betsey Johnson. Caron is platinum blond and wearing stack-heeled leather boots with a pointed patent-leather toe and wool tweed turned-over calf by Karl Lagerfeld for Chanel. All three of them have on skimpy black wool-knit dresses by Giorgio di Sant'Angelo and are drinking champagne with cranberry juice and peach schnapps and smoking German cigarettes - but I don't complain, even though I think it would be in Nell's best interest if a nonsmoking section was initiated. Two of them are wearing Giorgio Armani sunglasses. Libby has jet lag. Of the three, Daisy is the only one I even remotely want to f**k. Earlier in the day after a meeting with my lawyer about some bogus rape charges, I had an anxiety attack in Dean & Deluca which I worked off at Xclusive. Then I met the models for drinks at the Trump Plaza. This was followed by a French movie that I completely did not understand, but it was fairly chic anyway, then dinner at a sushi restaurant called Vivids near Lincoln Center and a party at one of the models' ex-boyfriend's loft in Chelsea, where bad, fruity sangria was served. Last night I had dreams that were lit likeĀ  p**n ography and in them I f**ked girls made of cardboard. The Patty Winters Show this morning was about Aerobic Exercise.

I'm wearing a two-button wool suit with pleated trousers by Luciano Soprani, a cotton shirt by Brooks Brothers and a silk tie by Armani. McDermott's got on this wool suit by Lubiam with a linen pocket square by Ashear Bros., a Ralph Lauren cotton shirt and a silk tie by Christian Dior and he's about to toss a coin to see which one of us is going downstairs to fetch the Bolivian Marching Powder since neither one of us wants to sit here in the booth with the girls because though we probably want to f**k them, we don't want to, in fact can't, we've found out, talk to them, not even condescendingly - they simply have nothing to say and, I mean, I know we shouldn't be surprised by this but still it's somewhat disorienting. Taylor is sitting up but his eyes are closed, his mouth slightly open, and though McDermott and I originally thought he was protesting the girls' lack of verbal skills by pretending to be asleep, it dawns on us that perhaps he's authentically shitfaced (he's been near incoherent since the three sakes, he downed at Vivids), but none of the girls pay any attention, except maybe Libby since she's sitting next to him, but it's doubtful, very doubtful.

"Heads, heads, heads," I mutter under my breath.

McDermott flips the quarter.

"Tails, tails, tails," he chants, then he slaps his hand over the coin after it lands on his napkin.

"Heads, heads, heads," I hiss, praying.

He lifts his palm. "It's tails," he says, looking at me.

I stare at the quarter for a long time before asking, "Do it again."