Where the hell had that come from? he wondered. The thought hadn't even been in his mind when the words popped out of his mouth. But it must have been, somewhere. "For the weekend," he added. "Spend this weekend at the house."

She brought her pizza back to her lips, bit in carefully. "I don't think that would be wise. There's an impressionable young boy in your home."

"He knows what the hell's going on," he began, then caught the look—the Miz Spinelli look—in her eye. "Okay, I'll sleep on the sofa downstairs. You can lock the bedroom door."

Her lips quirked. "Where do you keep the key?"

"This weekend I'll be keeping it in my pocket. But my point is," he continued when she laughed, "you can have the bedroom. On a professional level it'll give you some time with the kid. He's coming along, Anna. And I want to take you sailing."

"I'll come over Saturday and we can go sailing."

"Come Friday night." He took her hand, brought her knuckles to his lips. "Stay till Sunday."

"I'll think about it," she murmured and drew her hand away. Romantic gestures were going to undo her. "And I think if you're going to have a houseguest, you should check with your brothers. They might not care to have a woman underfoot for a weekend."

"They love women. Especially women who cook."

"Ah, so now I'm supposed to cook."

"Maybe just one little pot of linguini. Or a dish of lasagna."

She smiled and took another slice of pizza. "I'll think about it," she said again. "Now tell me about Seth."

"He made a couple of buddies today."

"Really? Terrific."

Her eyes lit with such pleasure and interest, he couldn't help himself. "Yeah, I had them all up on the roof, practiced catching them as they fell off."

Her mouth fell open, then shut again on a scowl. "Very funny, Quinn."

"Gotcha. A kid from Seth's class and his kid brother. I bought them for five bucks as slave labor. Then they wheedled an invite out to the house for dinner, so I stuck Ethan with them."

She rolled her eyes. "You left Ethan alone with three young boys?"

"He can handle it. I did for a couple of hours this afternoon." And, he recalled, it hadn't been so bad. "All he has to do is feed them and make sure they don't kill each other. Their mother's picking them up at seven-thirty. Sandy McLean—well, Sandy Miller now. I went to school with her."

He shook his head, amazed and baffled. "Two kids and a minivan. Never would've figured that for Sandy."

"People change," she murmured, surprised at how much she envied Sandy Miller and her minivan. "Or they weren't precisely what we imagined them to be in the first place."

"I guess. Her kids are pistols."

Because he said it with such easy good humor, she smiled again. "Well, now I see why you popped up at my office. You wanted to escape the madness."

"Yeah, but mostly I just wanted to rip your clothes off." He took another slice himself. "I did both."

And, he thought, as he sipped his wine and watched the sun go down with Anna beside him, he felt damn good about it.

Chapter Sixteen

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drawing wasn't ethan's strong point. With the other boats he'd built, he'd worked off very rough sketches and detailed measurements. For the first boat for this client, he'd fashioned a lofting platform and had found working from it was easier and more precise.

The skiff he'd built and sold had been a basic model, with a few tweaks of his own added. He'd been able to see the completed project in his mind easily enough and had no trouble envisioning side or interior views.

But he understood that the beginnings of a business required all the forms Phillip had told him to sign and needed something more formal, more professional. They would want to develop a reputation for skill and quality quickly if they expected to stay afloat.

So he'd spent countless hours in the evenings at his desk struggling over the blueprints and drawings of their first job.

When he unrolled his completed sketches on the kitchen table, he was both pleased and proud of his work. "This," he said, holding down the top corners, "is what I had in mind."

Cam looked over Ethan's shoulder, sipped the beer he'd just opened, grunted. "I guess that's supposed to be a boat."

Insulted but not particularly surprised by the comment, Ethan scowled. "I'd like to see you do better, Rembrandt."

Cam shrugged, sat. Upon closer, more neutral study, he admitted he couldn't. But that didn't make the drawing of the sloop look any more like a boat. "I guess it doesn't matter much, as long as we don't show your art project to the client." He pushed the sketch aside and got down to the blueprints. Here, Ethan's thoughtful precision and patience showed through. "Okay, now we're talking. You want to go with smooth-lap construction."

"It's expensive," Ethan began, "but it's got advantages. He'll have a strong, fast boat when we're finished."

"I've been in on a few," Cam murmured. "You've got to be good at it."

"We'll be good at it."

Cam had to grin. "Yeah."

"The thing is…" As a matter of pride, Ethan nudged the sketch of the completed boat back over. "It takes skill and precision to smooth-lap a boat. Anybody who knows boats recognizes that. This guy, he's a Sunday sailor, doesn't know more than basic port and starboard—he's just got money. But he hangs with people who know boats."

"And so we use him to build a rep," Cam finished. "Good thinking." He studied the figures, the drawings, the views. It would be a honey, he mused. All they had to do was build it. "We could build a lift model."

"We could."

Building a lift model was an old and respected stage of boat building. Boards of equal thickness would be pegged together and shaped to the desired hull form. Then the model could be taken apart so that the shape of the mold frames could be determined. Then the builders would trace the shape of the planks, or lifts, in their proper relation to one another.

"We could start the lofting," Cam mused.

"I figured we could start work on that tonight and continue tomorrow."

That meant drawing the full-sized shape of the

hull on a platform in the shop. It would be detailed, showing the mold sections—and those sections would be tested by drawing in the longitudinal curves, waterlines.

"Yeah, why wait?" Cam glanced up as Seth wandered in to raid the refrigerator. "Though it would be better if we had somebody who could draw worth diddly," he said casually and pretended not to notice Seth's sudden interest.

"As long as we have the measurements, and the work's first class, it doesn't matter." Defending his work, Ethan smoothed a hand over his rendition of the boat.

"Just be nicer if we could show the client something jazzy." Cam lifted a shoulder. "Phillip would call it marketing."

"I don't care what Phillip would call it." The stubborn line began to form between Ethan's eyebrows, a sure sign that he was about to dig in his heels. "The client's satisfied with my other work, and he's not going to be critiquing a drawing. He wants a damn boat, not a picture for his wall."

"I was just thinking…" Cam let it hang as Ethan, obviously irritated, rose to get his own beer. "Lots of times in the boatyards I've known, people come around, hang out. They like to watch boats being built—especially the people who don't know squat about boat building but think they do. You could pick up customers that way."

"So?" Ethan popped the top and drank. "I don't care if people want to watch us rabbeting laps." He did, of course, but he didn't expect it would come to that.

"It'd be interesting, I was thinking, if we had good framed sketches on the walls. Boats we've built."

"We haven't built any damn boats yet."

"Your skipjack," Cam pointed out. "The workboat.

The one you already did for our first client. And I put in a lot of time on a two-masted schooner up in Maine a few years ago, and a snazzy little skiff in Bristol."

Ethan sipped again, considering. "Maybe it would look good, but I'm not voting to hire some artist to paint pictures. We've got an equipment list to work out, and Phil's got to finish fiddling with the contract for this boat."

"Just a thought." Cam turned. Seth was still standing in front of the wide-open refrigerator. "Want a menu, kid?"

Seth jolted, then grabbed the first thing that came to hand. The carton of blueberry yogurt wasn't what he'd had in mind for a snack, but he was too embarrassed to put it back. Stuck with what he considered Phillip's health crap, he got out a spoon.

"I got stuff to do," he muttered and hurried out.

"Ten bucks says he feeds that to the dog," Cam said lightly and wondered how long it would take Seth to start drawing boats.

he had a detailed and somewhat romantic sketch of Ethan's skipjack done by morning. He didn't need Phillip's presence in the kitchen to remind him it was Friday. The day before freedom. Ethan was already gone, sailing out to check crab pots and rebait. Though Seth had tried to plot how to catch all three of them together, he simply hadn't been able to figure out how to delay Ethan's dawn departure. But two out of three, he thought as he passed the table where Cam was brooding silently over his morning coffee, wasn't bad.

It took at least two cups of coffee before any man in the Quinn household

Tags: Nora Roberts Chesapeake Bay Saga Romance
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